Why You Need to Pay Off Your Theme in the Ending of Your Story

Vik Rubenfeld#AskVik4 Comments

@TeresaSantoski asks:

This is such a good question that I’m answering it in three separate blog posts. I talked about the first item—it must be believable—in this previous post. I talked about how to make the ending surprising in this post. Here I will wrap up by discussing the last item: it must pay off the theme of your story. To begin with:

WHAT IS THEME?

Theme is the underlying message that your story has. Everything in it should communicate this underlying message. Here are some examples:

James Bond. I once read (I can’t find it on the internet at the moment) that the Broccoli family, which produces the Bond films, considers the theme of these films to be “One good man can take on the world.”

Harry Potter. JK Rowling has said that two quotes from the Bible (Matthew 6:19, and 1 Corinthians 15:26) “almost epitomize the whole series.”

Boyhood. It appears to me that author-director Richard Linklater has the following theme: “The promise of boyhood is often followed by great disappointment in one’s  life as an adult.” Depressing! But Linklater is careful to show that it isn’t always that way. He shows the parents of Annie, Mason Seniors’ second wife, as having had a very long and happy life together.

Here’s how these themes are paid off by the endings of these films.

Warning: major spoilers! Don’t click a title unless you’ve read it or seen it.

The endings of these films feature Bond overcoming enormous odds to save civilization. This pays off the theme, “One good man can take on the world.”

In the end of the final novel, Harry dies and is resurrected. This pays off the theme “The last enemy that shall be destroyed is death.” (Corinthians 15:26).

Because Harry dies to save his friends, the ending also pays off the theme, “Where your treasure is, there will your heart be also.” (Matthew 6:19).

As we watch Mason Jr. grow up, we hope the best for him in his life.

But in big scenes at the end of the film, both his mother and father tell him how miserable they’ve been in theirs.

This pays off the theme “The promise of boyhood is often followed by great disappointment in one’s life as an adult.”

So there you have it—the four keys to a satisfying ending:

I hope this has been helpful.

 

4 Comments on “Why You Need to Pay Off Your Theme in the Ending of Your Story”

  1. Pingback: The 4 Keys to a Satisfying Ending | Vik Rubenfeld

  2. “The promise of boyhood is often followed by great disappointment in one’s life as an adult.”

    If that was the theme, then the ending certainly reflected it, and I can see now why I didn’t especially like the movie. The concept of a 12-year shoot was clever, but I wonder if it didn’t tie the editor’s hands a little too much.

  3. Hi Ane,

    Thanks for this great question! In the Bond films we know Bond will win—the surprise has to come from how it happens. In order to avoid giving spoilers for any recent Bond films here, I’ll go back to a classic one—GOLDFINGER. The ending of that film has a number of surprises.

    *****SPOILER ALERT******

    It appears that Goldfinger has killed US troops guarding Fort Knox with poison gas. Then it turns out Pussy Galore has sided with Bond and used harmless gas—the troops get up off the ground where they were playing dead—they’re okay.

    In Bond’s battle with Oddjob, there are also surprises. The first is that Oddjob is willing to sacrifice his life in the service of Goldfinger. Another is the way Bond finds to beat Oddjob.

    Finally there’s the climactic fight between Bond and Goldfinger on the plane at high altitude, and how that ends, with something that hadn’t been seen in a film before—the tubby Goldfinger being sucked right out the relatively small window of the plane.

    Does this answer your question? Please ask me any follow-up questions.

Leave a Reply

Your email address will not be published. Required fields are marked *